You’ve heard of the “Bechdel-Wallace test” and its potential value to some people in measuring various media in a given context.
I propose a measure we’ll call the “Captain and Crew Test”…
I was enduring – yes, that’s the word I’ll choose – an episode of a certain Trek show and found myself thinking that I seem to enjoy Star Trek shows where the captain isn’t the center of attention for the continued story, rather the crew as a whole (including the captain as professionally and relatively required) works together on the story of the day or is portrayed in multiple dimensions without the commanding officer present.
So, here’s my attempt at codifying this “Captain and Crew Test”:
- The episode/show has to have at least two crew members (i.e. not the captain) essential to the story,
- who interact with each other without the captain,
- about the story without specific direction from the captain
I think these “rules” could use some adjustment and addition, but I think you get what I’m proposing/suggesting/inciting.
UPDATE 2024-07-04 04:35:34 UTC: Check out the quick and amazing work by @danielquinn@lemmy.ca to compile a subset of the percentage of lines for each character in a few Star Trek shows.
I agree with and second many of your statements in here. Well said! A couple specific points I want to highlight:
I really enjoyed those plots, especially about loss.
I think this is the core of the issue for what I enjoy and don’t enjoy with many Star Trek shows. Surprisingly to me, Expanse does this fine whereas Trek/Who/SG-1 would trip over it and have.
In general, great reply with excellent points. Thank you!