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Joined 1 year ago
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Cake day: June 12th, 2023

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  • Thank you! I wasn’t sure it’s appropriate to ping ernest - or what the approved bug reporting mechanism was here.

    It may be worth linking to this thread? I think that whatever is going on with the sort-of-deleted-post there is what’s causing the inbox errors.


    And thanks!, re the username. It was my handle on Reddit, too, snagged when only like two books in the series were out. At the time it was a couple niche fantasy novels and he was a side character that only appeared briefly in the first book, whose name sounded cool when said out loud. …Now that the whole series is out, wildly popular, and the character played a massive role, I feel like the kid who picked “superman” as his super-original internet username.









  • Yeah there’s two ‘main’ kinds of people who want a platform where users are able to post hate speech and reach “everyone” with it.

    • People who want to be hateful and want access to the targets of their hate. They want to upset people, they want to ‘own the libs’ or be able to toss slurs at minorities, and those things are unrewarding for them if they don’t get to see how upset they’ve made their targets.

    • People who want to recruit people to being hateful. They want to convince normal people to share their prejudices and their biases, they want “debates” or would like to share “statistics” and are seeking a soapbox that can reach people who might find their views convincing.

    This is a huge part of why defederation works, why platforms like Voat or Gab rarely thrive for very long. Being hateful in an echo chamber towards people who are outside the room is rarely fun for those folks, and very often results in in-fighting and fragmenting of the movement. Moderates and ‘normies’ are driven off because now they’re a target rather than a participant or spectator.





  • This would make excellent satire, but it’s pretty dismal journalism.

    Ever since that day, I’ve consistently correlated success with the fluctuating number in my follower count. In fact, I would argue that every millennial who works on the internet has internalized the belief that resonance on Twitter is the only way to unlock progressively more illustrious opportunities—it somehow seems more relevant than your degree, your scoops, and even your endorsements.

    Speak for yourself, please.

    Many millennials who ‘work on the internet’ have understood in the past that Twitter follower counts did constitute a sort of abstracted measure of relevance, like pop culture equivalent of how often an academic article is cited by other academics. There was quite a while where that was, unfortunately, true: for example, your measure as a PR professional was tied to your ability to use your professional skills to boost your personal accounts. It was far from the only thing that counted, but it was certainly an excellent networking tool and having impressive high scores would result in more opportunities, better opportunities, and less hunting for them. There absolutely was an expectation that communications or marketing people would leverage their skills for their accounts, that they would show off what they could do for potential employers within the confines of their own internet footprint.

    You could still get work without that, I still got work without that - but work would come to you if you had an impressive social portfolio, not just on raw follower counts but on things like content and engagement as well. The total sum of your social media and online presence was the portfolio of communications or media field, same way designers are asked to provide examples of past work.

    And that’s still true - it’s just less and less likely to include someone’s twitter in that assessment.

    I think that’s why Elon’s reign of terror has been so bitterly ironic: Everything we’ve been taught about Twitter—and, frankly, social media in general—has proven to be an enormous lie. It was always volatile, and regrettably, we made it the locus of our careers.

    Things can be true in the past and false in the present. What this particular person was taught in the past was true at the time of teaching. And then this crazy thing called “change” occurred and it’s no longer true. Except, what he was taught - that conventional wisdom holds that journalists need their own personal brands - remains true. The secondary coaching, that a Twitter presence is part of that branding, is not necessarily true but also not abstractly false either.

    That the author struggles with the very concept of change, feels they were promised that Twitter would be permanent, and seems to believe that people who are successful now because of twitter activity then are somehow going to wind up on the streets is hilarious, if perhaps in a not particularly kind way.

    Everyone he talked to has a secure career or market position. Sure, they got there via twitter, or they feel twitter helped them achieve that - but they will be fine. Some of them might take earnings hits or need to make some uncomfortable pivots to off-twitter platforms, but none of those folks are teetering on the edge of a cardboard mansion lifestyle after sinking clearly-fruitless hours into twitter boosterism.

    Lorenz predicts something of a “Great Clout Reset” on the horizon—everyone emerging from the rubble, starting over at square one—and frankly, she can’t wait to see what happens. […] Maybe that’s the silver lining. Twitter might be dying, but maybe afterwards, we can try to become superstars all over again.

    Oh look, we can see how the author wound up thinking that Twitter was all-important and utterly permanent. They’re doing it all over again; and in ten years we’ll get the exact same article about whatever platform they think is actually the Real Deal right now, complaining about how it inevitably failed and Lorenz steered them wrong with bad career tips.



  • I feel like there is space for talking about games besides actually playing them, similar to sports.

    To refine further, I think there exists demand for a “middle ground” of games discourse that is talking about games as a whole, or as entries into their genre, in detail and with consideration - but without being a hyper-focused discussion of one specific game by it’s die-hards. We have both poles - there is lots of relatively superficial discussion of games, or game reviews, that aren’t giving a particularly detailed discussion of each game … and there’s lots of posts in a specific games’ space with ultra-specific and supremely detailed discourse from a highly-invested players’ perspective.

    But there’s not been a successful venue or single leading voice that’s really filling that niche. TB did for ages, and I don’t think anyone has come close to filling those shoes since.

    I personally want the kind of insights that come from putting a week into a game and playing a lot of other similar games, but not necessarily being a hardcore fan or hater of the game or the genre. Like, I’ll get a week into a game and start noticing that the core gameplay is good, but the economy seems off, or that gunplay is just a little jank when playing near obstacles - deeper than “better/worse than GAME1, while slower not as twitchy as COMPETITOR”.

    In similar sense, talking about games as a media and as offering within a media landscape - in that sense you talk about asking “what is fun”; looking at game systems and mechanics from a lens of media critique and systems design. How does this work, how do competitors solve this problem, what other problems does it introduce - how does the sum picture mesh and how cohesive is the end product.



  • If you are in fact a doppelganger you have no way of knowing and neither does the Anomander who died. And that is why I wouldn’t risk teleportation.

    Which, conversely, is also why I don’t care about teleportation. If I have no idea before and I have no idea after and for all intents and purposes I am still me in the new location … all the parts that I can engage with, all the parts I care about - they’re all coming up fine. I might as well have fallen asleep on a plane, or blacked out after a few too many at the pub. When consciousness returns, I am in a new location.

    In that explanation you quoted, I fall firmly into the former camp. I don’t think we have special-ness that transcends the meat, but that the consciousness is wholly rooted in it - and so I think that moving the meat from one place to another achieves the result of moving the consciousness from one place to another.

    My main difference is that I don’t believe a “soul” transported or transplanted - or exists to be lost. The consciousness that is my sense of ‘self’ is the sum of my meat and my memories, and those are preserved.



  • To me it has nothing to do with souls, it’s about continuity of experience. […] If I don’t get to continue to experience life because I’m dead and some clone with my exact thoughts etc is now me, it’s only the rest of the world who experiences that as me continuing to live. But I don’t get to.

    I think that distinction is artificial.

    My continuity of experience is interrupted every night, among others - and I don’t worry that my experience as being me is somehow invalid now, or fear sleeping lest a doppelganger take my body overnight and wake up ‘as me’ the next morning. The idea that this would be different is resting on the notion that there is something other than mere meat and electricity that would be lost when the teleport interrupts consciousness, and I think that assumption is something that needs direct challenge.

    I think you would experience life continuing from the moment consciousness resumes in the new location, the exact same as how you experience life ‘continuing’ when you wake up each day. All the ways that you experience your own consciousness would simply have relocated. Without assuming a soul, there is no subjective distinction between pre/post teleporter any more than there’s a distinction between pre/post nap.