Let’s go with something more somber.
Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.
-Lolita by Nabokov
It’s not strictly the opening, because it comes after a fake foreword presenting this, the main text, as a true crime story, written by the criminal himself. It sets the mood quite effectively. These sentences are the equivalent of drawing hearts around the name of your crush. And while the writer is shown to obsess over Lolita, he is only concerned with his own person. His victim is only presented as something within him (poignantly his loins and mouth) and not as a person separate from and outside of him.
And mind: AI could not come up with something like that: No tongue or lips.
Wow does that ever make me shiver, and not in a good way. Imagine saying that about a CHILD.
I just started reading “The giant squid” by Fabio Genovesi and I really loved the opening. I couldn’t find the official English translation, so here’s the original and my rough translation:
Del mare non sappiamo nulla. Nulla di nulla, eppure il mare è quasi tutto. All’inizio c’era solo lui, poi ha concesso un po’ di spazio secco e polveroso alla terraferma, e noi subito superbi a dire che il centro del mondo è New York o Pechino, come una volta Babilonia, Atene, Roma, Parigi… invece il centro del mondo è il mare.
We know nothing about the ocean. Nothing at all, and yet the ocean is almost everything. In the beginning there was only the ocean, then it gave a little space - dry and dusty - to the lands, and we immediately haughtily proclaimed that the center of the world is New York or Beijing, like we once did with Babylonia, Athens, Rome or Paris. But instead the center of the world is the ocean.
This is really beautiful. Is the book available in translation?
Yes, there seems to be an English translation. Maybe if someone has it they can post the odficial English translation.
Ludwig Boltzmann, who spent much of his life studying statistical mechanics, died in 1906, by his own hand. Paul Ehrenfest, carrying on the work, died similarly in 1933. Now it is our turn to study statistical mechanics.
David Goodstein, in the opening of his Thermodynamics and Statistical Mechanics textbook “States of Matter.”
Bill never realized that sex was the cause of it all. If the sun that morning had not been burning so warmly in the brassy sky of Phigerinadon II, and if he had not glimpsed the sugar-white and winebarrel-wide backside of Inga-Maria Calyphigia, while she bathed in the stream, he might have paid more attention to his plowing than to the burning pressures of heterosexuality and would have driven his furrow to the far side of the hill before the seductive music sounded along the road. He might never have heard it, and his life would have been very, very different.
caliphigia
Was her family literally named after her ass?
“A spectre is haunting Europe, the spectre of communism”
It still gives nightmares to the people who deserve it :)
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Ludwig Boltzmann, who spent much of his life studying statistical mechanics, died in 1906, by his own hand. Paul Ehrenfest, carrying on his work, died similarly in 1933. Now it is our turn to study statistical mechanics.
This one tops my list, probably followed by the opening to hitchhiker’s guide to the Galaxy.
Best non-fiction opening that sounds like a threat.
Wait, I read this! Can’t remember the name of the book right now though.
Edit: Ok, I remember it from a screenshot in a thread about cheeky textbooks
Yeah, it’s an oldie.
Fun fact, Boltzmann hung himself while Ehrenfest shot his 15 year old son and then himself.
Fun fact,
You and I go to different parties
Came looking for this, thanks
it hits differently these days, but: “The sky above the port was the color of a television, tuned to a dead channel” -William Gibson, Neuromancer
Neil Gaiman makes a reference to that in Neverwhere, using ‘TV tuned to a dead channel’ to describe a cloudless blue sky.
Lovely books, horrible human being, apparently. Such a shame
Never turn people into heroes, it’s an unearned pedestal. People who create works of art are expressing their ideals not their reality.
Separate the art from the artist, and if you do not wish to enrich the artist, then torrent their works
Which is why I only own one Gaiman book, and even that was a gift. Even streaming music made by cunts feels bad nowadays… but I remind myself that there’s thousands others out there… so I just block the cunts and move on. (Black metal especially has quite a bit of nazis, unfortunately)
Never turn people into heroes, it’s an unearned pedesta
My approach is similar, but I limit it to living people. Once they’ve passed it’s unlikely much of anything will come to light in the future that changes one’s perspective
I need to read that one of these days
It is a great book and the other two in the trilogy are just as good. I’m going through all of Gibson’s works right now. Currently in Agency and loving it.
It’s a trilogy? I didn’t know that. Cool!
A very loose trilogy. They don’t follow the same characters, not really. The world is the same, as are the themes.
Id recommend the great "johnny mnemonic" short story first. It introduces a character you will see again.
Alright that was really good, thank you for sharing it with me!!
Alright, thanks!
I’ve been waiting for the third book in the Jackpot trilogy for what feels like a decade. I hope he finishes it soon.
Just starting his Jackpot trilogy. I watched the series, they canceled it just as it was getting good. Wonder if that has anything to do with the incomplete books.
I believe that the show was cancelling due to a combination of the writers/actors strike and Amazon just having a nagging tendency to cancel expensive shows. The Peripheral does stray from the books a bit, but it was so good. The cancelling of their good shows and their bullshit extra fee to not see ads made me just stop watching Prime Video completely.
The books are excellent though, super excited about the last book (whenever it comes out). They are my favorite books of his since the Sprawl trilogy (aka Neuromancer books).
The characters were great, and the cast worked well, too. Second season people had settled in to their roles and it flowed better. Especially liked Alexandra Billings’ Lowbeer. That androgyny and smiling threat with presence brought to the character was awesome.
I read it ages ago and enjoyed it immensely. Its influence on everything cyberpunk is clear.
I think the hitchhikers guide to the Galaxy opener is my favorite, but a close second is Albert Camus’
Maman died today. Or yesterday maybe, I don’t know. I got a telegram from the home: “Mother deceased. Funeral tomorrow. Faithfully yours.” That doesn’t mean anything. Maybe it was yesterday.
I should really read that book again.
Didn’t enjoy it myself
The building was on fire, and it wasn’t my fault.
Blood Rites, book 6 of The Dresden Files
Creepy weirdo that writes copaganda but damned if that sequence doesn’t slap.
Doesn’t Dresden frequently have problems with the cops?
But there’s like 2 good cops, so it must be copaganda.
Out of how many?
Well, the action happens in Chicago. And there’s a special investigations unit that’s not very respected as far as I can remember(it’s a sort of dead end job that nobody wants) that he deals with and there’s a couple of good cops and a couple of bad cops there. For all the rest, the books keep mentioning how he doesn’t trust other cops, how many of them are in the pockets of mobsters and other villains, etc. There’s even corrupt fbi agents as antagonists in the second book.
Which is a very American mindset that is built upon our sense of “freedom”.
The bad guy is a bad cop. Bad cops exist. But the cavalry (in this case, Murphy and her partner and Butters and Michael and so forth) are the good cops. Because, when the chips are down, the real heroic cops come to help.
It is much more prevalent in military fiction because… ACAB is a common phrase for a reason. One of the best examples is the Bradley Cooper A-Team movie (also a really fun movie). On its surface? The villain is a rogue CIA officer (also maybe a rogue general? Been a minute). But throughout the entire movie we have the titular team regularly talk about how much they learned in the military and Rocket Raccoon can’t help but want to bang the hell out of the good military cop who both wants to capture them AND wants to know the truth. And, when the chips are down, she is there to save the day.
Its one of those things you don’t pick up on until you do a lot of reading… or think about why The Military is so willing to allow the use of men and material in filming. If they weren’t okay with the idea of a rogue officer then they would have refused the use of IFVs and so forth. PLENTY of movies end up stuck using stock footage because of that.
But no. It is very much the extension of “a few bad apples don’t ruin the bunch” that is used to handwave evil shit that cops (and the military) does.
Butcher isn’t the only writer who does that shit. But it is one of those things where “So… does he realize he is doing it?” up until the “cops are the light in the darkness” wank fest during The Battle of Chicago (I forgot which book).
It is up to you whether you care or not. I semi-recently rambled about/glazed a movie that I outright consider CCP propaganda that stars “The Tom Cruise of Hong Kong”. And… I will watch basically any Donnie Yen movie because he is just that charismatic and physically magnificent. But I also make it a point to think through WHY specific roles were chosen or specific dialogue was spoken even as I am cheering on him fighting his way out of essentially a favela.
I would say, up until the hiatus, it was very much the “Not All Cops Are Bastards” kind of work. Murphy (who was apparently the insert of Butcher’s now ex-wife) is obvious but even her partner mostly is just “guilty” of thinking this weird PI who knows things he shouldn’t and is constantly seen talking with criminals might not be on the up and up. Same with Morgan (? Harry’s magic parole officer) who mostly was just depicted as so focused on justice and the danger of black magic that he didn’t trust the guy who had previously used black magic and who is canonically going to go REAL fucking dark later.
And Michael et al are VERY cop adjacent.
But things really shifted once Harry became a magic cop himself. The “I am opposed to authority but damn if I don’t look good with a badge” kind of story.
Then we had the hiatus and came back to The Battle of Chicago where Butcher spent a full chapter worshiping cops and talking about how they are the literal light in the darkness.
Which is pretty consistent with a lot of copaganda (also military propaganda). The idea that there are bad eggs but by and large they are great and here is this godlike human being that also happens to be a cop. Think “Dirty Harry” or a LOT of Donnie Yen movies.
Contrast that with someone like a Richard Kadrey who makes it an entire plot point that one of the big bads is a cop who is literally protected by police unions and qualified immunity (also there is zero chance that Richard Kadrey doesn’t have hundreds of pages of very explicit Sonic OC fan fiction. And I say that as a compliment).
And on the “weirdo” note: Let’s just say it is a very open secret who Lara Raithe is “inspired by”. Although many women in the publishing and convention organizing community have stories of being compared to her… And everyone tries not to think too hard who Molly (Harry’s best friend’s daughter that he knew almost her entire life who just can’t stop throwing her tight naked body at Harry…) is.
Who inspired Lara ? Tried to look it up but I can’t find anything.
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Damn, I really don’t have an original thought in my head
The more we communicate in memes and pop culture references, the closer we get to going full Darmok and Jalad at Tanagra.
Di’caprio, his finger pointing
Redford, when the mountain man nodded
If Zoey Ashe had known she was being stalked by a man who intended to kill her and then slowly eat her bones, she would have worried more about that and less about getting her cat off the roof.
– Jason Pargin, Futuristic Violence and Fancy Suits
Speaking of Iain m banks, the paragraph about an outside context problem is one of my favourite openings he’s done. “An Outside Context Problem was the sort of thing most civilizations encountered just once, and which they tended to encounter rather in the same way a sentence encountered a full stop”
Some beautiful turns of phrase throughout. Maybe I should revisit these now that I’m less worried about missing out on something, so I can just browse and skip around.
He was a big fan of the power of the first line. You can really see it in a lot of his books.
His last ever book started with
“The two craft met within the blast-shadow of the planetary fragment called Ablate, a narrow twisted scrue of rock three thousand kilometres long and shaped like the hole in a tornado.”
Or maybe it’s the second para. I haven’t got my copy on me. But I memorised the last bit on the spot.
Yeah I haven’t read that one in a while
My favorite opening lines that I didn’t see yet are:
Kafka’s “Metamorphosis”
“When Gregor Samsa awoke one morning from troubled dreams, he found himself changed into a monstrous cockroach in his bed”
Tolstoy’s “Anna Karenina”
“Happy families are all alike; every unhappy family is unhappy in its own way.”
And, Gibson’s “Neuromancer”
“The sky above the port was the color of television, tuned to a dead channel.”
I especially like that line in Neuromancer because at the time he wrote it, his audience would’ve understood he meant TV snow. Meaning the sky was overcast, giving a gloomy mood. But younger people now will think of that featureless blue that modern TVs use, which indicates a beautiful cloudless day. Totally different mood!
Young people today will be puzzled by the TV scenes in Poltergeist as well. Time and tech marches on…
And, Gibson’s “Neuromancer”
“The sky above the port was the color of television, tuned to a dead channel.”absolute classic, came here to post it.
Went into this comment section with Kafkas “Metamorphosis” in mind, I love the opening, the whole story is genius and to this day perfectly describes large parts of German society.
All three quotes are great, how you can captivate a reader just with one sentence, all three do this perfectly.
The man in black fled across the desert and the gunslinger followed.
All too many have forgotten the face of their fathers…
This is my favorite opening hook of all time.
Tells you everything you need to know about what you’re about to read. Uhh, kinda.
This is my favorite opening line:
The moon blew up without warning and for no apparent reason.
- Neal Stephenson, Seveneves
He may know how to start a book but he can’t end one to save his life.
His older books ended pretty well IMO. It was only the later books where they sometimes make a major turn near the end and get nuts. I sometimes enjoy the craziness of it, but Seveneves was particularly jarring.
I disagree, cryptonomicon’s ending just comes out of left field with the introduction of a new character at the end of the book.
I honestly couldn’t finish it.
It changed from an excellent comedy at the start, to a spy thriller, to a war action movie and then to some kind of tech-startup biography.
Insane changes in pace. Did I miss a good ending then? I’ve got about 20% left.
I like to believe that his editor told him that enough was enough and that we had to end the damn book. And, if it was not for the editor he would still be writing the book, not not revising it, just making it longer and longer.
Haha he could have just written three to five books instead.
Fair point, I forgot about cryptonomicon’s ending. I guess Stephenson has been pulling this forever.
I want to love his books, he build such interesting worlds and stories, but the ending disappoints almost every time
I absolutely get you. I do enjoy his books, mostly because they tend to center around a really great premise and are entertaining enough that I can not let the bad parts ruin it for me.
That book was a slog. Took forever to get to the inevitable you knew was going to happen, glossed over the worldbuilding, and ended it just as things got interesting.
Maybe it’s an adaptation of a Hotblack Desiato song.
Disaster Area’s songs are on the whole very simple and mostly follow the familiar theme of boy-being meets girl-being beneath silvery moon, which then explodes for no adequately explored reason.
Thanks for the reminder to get back on the waiting list at my library. I’ve been trying on and off for years to read this
I really do recommend it. Just know that the end is basically a separate novella, that is completely different in tone. I would suggest giving it some time at the least before you read the last of it at the least.
